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Product details

File Size: 7394 KB

Print Length: 28 pages

Publication Date: March 13, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07PNFFX5T

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#3,732 Free in Kindle Store (See Top 100 Free in Kindle Store)

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This "book" is seriously a joke. I skimmed through this book that I purchased for my nephew's birthday to find that the font is massive. Then I noticed that the grammar is horrendous throughout. The printed black and white pictures are distorted. I will be contacting Amazon to request a return. There is no excuse for this being an item for sale, especially $9.99! I'm extremely disappointed and hope others will read the reviews before purchasing. That was my mistake. I won't be making the same one, that's for sure!

FAKE!! this had to be copied off a scanner or something. its cheap nothing secret about it!

Poor quality. Basically the entire book is photocopied. "Color" illustrations are horrible and look all black. Waste of money. If I could give zero stars, I would.

This was a complete waste of time. Worthless. Do not waste a single resource on this book.

Made to look like an Official Mojang Book. It's a cheap knock-off complete with b&w pictures.

Bought this as a gift for a 9 year old. I was surprised when I opened it to find something that looks like it was run off on a home copier (in black and white) with brief captions done on on a computer. Very elementary. I went to the book store and bought two beautiful, hard back books with glorious easy to see pictures with good explanations for just a little more. This book was a huge disappointment. Maybe it was written for a 5 year old. Keep looking. I do NOT know why this is a top seller. Maybe others feel as I do: I should return it, but it isn't worth the hassle.

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Download Visions of the Apocalypse: Spectacles of Destruction in American Cinema

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Review

"Wheeler Winston Dixon's Visions of the Apocalypse explores American cinema and its fascination with spectacles of destruction, while simultaneously commenting on the ways in which Hollywood has created a culture of sameness where conformity rules. Lucid and eloquent and a relatively easy read for those unaccustomed to film academia, Dixon's knowledge and reasoned argument provide an intelligent and endlessly fascinating examination of some of the key issues that face us as we confront an increasingly insecure future." - Kirsty Fairclough, Popmatters"By unflinchingly critiquing the contemporary culture of self-destruction, Wheeler Winston Dixon presents a serious contribution to the heroic effort for which he calls. The book deftly negotiates between moments of personal reflection and presentations of factual information, between precise analyses of single texts and broader generalizations about cultural dynamics. In this way, Dixon provides an engaging and provocative argument about the contemporary cultural setting and its underlying propellant forces. If the book presents a challenge to the reader, it is not a result of the style of the book, as the writing is clear and accessible throughout. The challenge of this book is to follow Dixon in thinking beyond commercial culture and creating alternatives to our own annihilation." - Daniel Herbert, Film-Philosophy

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About the Author

Wheeler Winston Dixon is the James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, Professor of English at the University of Nebraska, Lincoln, and, with Gwendolyn Audrey Foster, editor of the new book series Quick Takes: Movies and Popular Culture for Rutgers University Press. He is the author of more than thirty books on film history, theory and criticism, as well as more than 100 articles in various academic journals. He is also an active experimental filmmaker, whose works are in the permanent collection of The Museum of Modern Art.His recent books include Black & White Cinema: A Short History (2015); Streaming: Movies, Media and Instant Access (2013); Death of the Moguls: The End of Classical Hollywood (2012); 21st Century Hollywood: Movies in the Era of Transformation (2011, co-authored with Gwendolyn Audrey Foster); A History of Horror (2010); and Film Noir and the Cinema of Paranoia (2009). Dixon's book A Short History of Film (2008, co-authored with Gwendolyn Audrey Foster) was reprinted six times through 2012. A second, revised edition was published in 2013; a third, revised edition was published in 2018. The book is a required text in universities throughout the world.Visit wheelerwinstondixon.com for more details on Dixon's books, films, and articles.

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Product details

Paperback: 192 pages

Publisher: Wallflower Press; 1st Paperback Edition edition (September 17, 2003)

Language: English

ISBN-10: 1903364744

ISBN-13: 978-1903364741

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

2.7 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,640,865 in Books (See Top 100 in Books)

Those readers looking for a book solely about apocalyptic films will only be partially satisfied by this intelligent, incisive book. While it does delve into the ways apocalypse is presented in American films, covering quite a few of them, it's more an examination of American culture itself & its fascination with destruction. Nor does the author restrict himself to images & fantasies, which he demonstrates are both fed by a consumerist culture while helping to create & maintain that same culture. He goes more deeply, examining the power of the almighty dollar in creating increasingly shallow but visually spectacular films that have immediate visceral appeal, much as a roller coaster does, while avoiding any food for thought afterwards. These films aren't designed to make the viewer think, but simply to feel -- as intensely & vividly & shallowly as possible. In their pursuit of pure sensation, they approach a kind of emotional pornography of immediate gratification: raw, exhilarating, and constantly lowering the lowest common denominator. This, the author suggests, is indicative of our consumerist culture as a whole.Further, he shows how this seething rush of garish, giddy trauma affects political & social discourse -- or more precisely, how it short-circuits rational discourse in favor of an easily manipulated blaze of jittery emotion in need of a focus, a target, a scapegoat. And of course there are more than enough groups ready & eager to provide that focus, in order to serve their own financial & political purposes. One of the artistic prices of this approach, of course, is the death of film as potential art & its replacement as nothing but commodity. He even delves into the physical replacement of film by digital technology, and how that adds to both the profit margin & the fear margin.While this is fascinating material for any thoughtful reader, let me hasten to add that the author never succumbs to convoluted jargon. He has the knack of handling complexity in an accessible manner, never dumbing it down, always making it quite clear & succinct. Considering the spate of jingoistic films we've been getting from Hollywood lately, this is vital reading for anyone concerned about the political & military excesses of the post 9/11 world. Highly recommended!

I always found it fascinating how American audiences (and film makers) love the cinematic spectacles of self destruction. From the great San Francisco to the discreet On the Beach all the way to the more recent Deep Impact (Special Collector's Edition),The Day After Tomorrow (Two-Disc All-Access Collector's Edition),Cloverfield [Theatrical Release] and I Am Legend (Widescreen Two-Disc Special Edition) (not forgetting the once-controversial The Day After, naturally).I, for example, freely admit that I love those films. And I love them perhaps because of my personal taste for (among many other things) the radically different premise they put in front of us: the vision of a world you dot see every day. And more important: it's not for real... no strings attached.And if we decide to focus our study just on that angle alone, I am sure we can identify many trends going on today. And they all represent big meals for those who care to dine. They would all make great subjects for serious study.That was exactly what I was expecting when I bought this great book.Mr. Dixon has a great knowledge of films, meaning that he is an experienced viewer... and he backs everything he says with the right data and the actual numbers. I will not try to summarize the book... but basically, what he offers is a long and valid (but somehow debatable - that's what I think) reflection on how the Hollywood film industry in particular (and all the other cultural industries in general) function today AND they way they drive (and shape) its audience towards certain... let's say "tastes".And Mr Dixon does that very well.The big major flaw, in my modest opinion, is that... from page one all the way to the end, Mr Dixon's very precise analysis left a bitter taste of prejudice and discrimination under my tongue against commercial Cinema. Maybe that's because I myself teach Film Production (and work in that area) and therefore (maybe), have a different view on the matter. What I feel is that Mr. Dixon violently criticizes an Industry (and a system of things) he clearly dislikes without taking some time and distance to see a bigger, broader picture.And that analysis make up for 90% of the book. It IS a great analysis... but it comes from someone who seems to have picked just one side. I agree with him on most everything. But I miss the other side. I believe the things Mr. Dixon criticizes have their own reason of existing. They do fill some void. He and I may not like them (it may not be our personal taste). But we have to understand why they are there.Sometimes, the great scholar becomes a (I wish I wouldn't have to use the word) snob critic when he starts throwing adjectives like "awful" to films that are much more than JUST that. At a certain point, several films and people get classified upon adjectives and terms that seems prejudicial. I'm not saying one cannot express his own feelings. But hardly that easily in the middle of such a great analysis.I was expecting a different book... specially because the analysis of today's big self destruction spectacles was not fully accomplished.BUT I still strongly recommend this book because (even after all I've pointed) Mr. Dixon DOES give us an astounding job. Really. It's a great book. His reflections on 9/11, its media coverage and the impact it had on American Cinema is top notch. His views on War Cinema are quite excellent.Again: a great book.

The title of this book is misleading. The author discusses the Cold War (including films of the Cold War period), the contemporary threat of terrorism, the decline of the film industry and U.S. society in general, contemporary politics, and dozens of films that have nothing to do with the apocalyptic genre. However, he barely discusses what he title proclaims, "visions of the apocalypse / spectacles of destruction in American cinema," and he discusses no recent apocalyptic films whatsoever. I wonder if the title was chosen just to make the book sell better.

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PDF Ebook A Reader's Greek New Testament: Third Edition

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About the Author

Richard J. Goodrich (Ph.D., University of St. Andrews) is lecturer in the department of history at Gonzaga University in Spokane, Washington.

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Product details

Imitation Leather: 592 pages

Publisher: Zondervan; Third edition (November 3, 2015)

Language: English

ISBN-10: 0310516803

ISBN-13: 978-0310516804

Product Dimensions:

1 x 1 x 1 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

25 customer reviews

Amazon Best Sellers Rank:

#299,722 in Books (See Top 100 in Books)

This review regards the Kindle version. There is no issue with the text, itself. It appears to be a fine edition and the authors are careful to highlight where they diverge from the UBS5 and NA28. Theirs is an eclectic text and their insightful work is most appreciated. Likewise, a readers edition is very helpful to someone learning Greek. And I found their introduction especially motivating. But I discovered to my absolute horror that Kindle's table of contents (at least on my MacBook Pro) only take you to the beginning of each book of the New Testament. This means that if, for example, you want to go to chapter 15 of Matthew and then to verse 20, you must scroll through every last page between the beginning of Matthew and your target, or scroll from the end of Mark (including the extensive lists of vocabulary words) to get there. If you have only one reference on your study list, then the time spent scrolling may not be a significant issue. But you are a rare bird if that be the case. There is no complaint with the published edition. And I am still happy to have an electronic version. But navigating from one reference to another in this Kindle version is a major bear.

Was shipped almost instantly and arrived very quickly (sold by biblestore) . The text itself is useful for practicing reading the GNT and gaining more comfort and familiarity with it. Unlike the UBS or NA texts, there is no critical apparatus in the footnotes. Rather, there is in the footnotes a definition(s) of every Greek word appearing on that page, if its frequency in the GNT is, I think, 30 or fewer times. This is in fact what makes it a "Reader's" version. The Greek text itself is its own eclectic/critical edition, following neither the NA nor UBS but charting its own course. Additional footnotes indicate departures from these "standard" critical editions. I believe there is also an occasional footnote commenting on the manuscript witness for or against a particular reading. This is very minimal and not nearly what I would call a critical apparatus. Rather it is about on par with the footnotes in the ESV or NKJV that provide little more detail than "some mss contain..." or "most mss omit..." or "NU omits...."Some have lamented the larger-but-thinner design. I like it however. Seems easier to pack into a bag than a smaller but thicker book. I also like the faux leather cover. My copy came with a bookmark ribbon; it is slightly too long in my opinion though.

In Biblical Greek class we only learned about 1000 Greek words from Metzger's Word List. However, to actually read the Greek NT, I have had to drag out my analytical lexicon & declension chart to look up many unfamiliar words, and I usually end up "chasing rabbits" in the process. The Reader's Greek NT greatly speeds up the process! I love it! I have learned many new words in this way. Every serious Greek student needs this book!

The Kindle edition is impossibly hard to navigate. It does not hyperlink to each chapter like ALL the other ebook bibles do. So, if you want to read Romans 12, you have to swipe all the way there. No page flip ability, but it does have text to speech...which is worthless since it's Greek. The electronic voice says, "beta, rho, omega, mu, alpha...." I give it 3 stars because the price is good, but I wish I had ordered the physical copy. The links to the dictionary would be great if they had it pop up like a footnote. I hope they fix this soon. I have messaged them about it, but no one seems to understand what I am trying to say. It's extremely frustrating. Also, the description says it's page-flipped. It is not, or else I can't figure it out like I can with other books. It would be awesome if this could be fixed.

Zondervan was kind enough to send me copies of its two most recent editions of the Greek New Testament as exam copies for possible classroom adoption. The "Readers Greek New Testament," now in its third edition, has one fundamental purposes: to facilitate reading extended passages in the Greek New Testament. The top 2/3s of each page (give or take) presents the Greek text itself, while the bottom 1/3 provides glosses for all Greek words on that page that occur in the Greek New Testament 30 times or fewer. The vocabulary in the bottom part of the page is keyed to the text by a footnote referencing system.What is good about this volume?1. Most importantly, it encourages reading the NT in Greek. Not dissecting it, not ignoring it, but engaging it in a manner more akin to how one would one's NT in English. I have to admit that I haven't done enough of this in my professional life, and this slim volume might finally encourage me to read through Acts for no other reason than to read through Acts. The kind of reading this volume encourages is especially important for those just coming out of their courses in biblical Greek in seminary. It is only through much exposure to real literature that all that grammar and syntax will begin to make sense and that your facility to discern when participles have this nuance rather than that nuance (etc.) will become well tuned.2. The font is clear, if a little small to my overwrought eyes; the book sits comfortably in the hands or lies flat on a desk (with a little spine abuse in Matthew or the General Epistles :) ).3. The glosses provide a range of meanings associated with the Greek word, and not merely a single English equivalent. (This is a major drawback, in my opinion, of the United Bible Society's version of a Readers GNT.) Having a sense of the semantic range is of great value. The resource used for creating these glosses is Warren Trenchard's Lexicon which, while not the scholarly standard (BDAG, LSJ), is certainly a scholarly option.4. It's really quite inexpensive compared to other Greek New Testaments on the market.What's neither good nor bad?1. The Greek text used is not a standard eclectic text (neither the UBS or Nestle-Aland), but a version of the standard text as adapted chiefly by Dr. Gordon Fee to provide the base text for the NIV translation. Of course, I have the utmost respect for Fee's text-critical sensibilities, and the differences from the UBS text are duly noted at the bottom of the page.2. The edition is really only ideal for reading. There is none of the text-critical information that one typically expects from a print edition of the Greek New Testament; there are not the extensive lists of citations and allusions that are often helpful for beginning to think about intertexture. No blame for Zondervan for this at all -- the space is used here to serve the stated purpose of this particular edition.What's a bit regrettable?1. This Reader's Edition does not provide parsings of verb forms. This is an advantage of the UBS edition, and it is the price that one pays for having significant lexical information at the bottom of the page (an advantage of the Zondervan edition). I personally think that, if one must choose, Zondervan made the better choice.2. The lexical notes run like normal text across the line, making it take just a second longer to find the note that corresponds with the note number in the text. Again, the price of not wasting any white space at the bottom of the page so as to make the necessary room for better lexical information. No blame for Zondervan, just one of those things.One question begs to be raised: how does this print volume compare with using Bible software for the same purpose? On the one hand, reading Acts in BibleWorks or Logos immediately puts other helps under one's mouse -- full parsing, fuller lexical information. If one clicks one or two more times, one is in the BDAG or LSJ really digging into the meaning of a word. A few different clicks and you've done a search on a word to see how Luke uses it throughout his two-volume corpus. Hmmm.... and you're not actually reading anymore. And you're not puzzling over the forms to figure them out, so that eventually recognizing them becomes instinctive for you. All that to say, while I use Bible software at least as much as I use printed editions of the GNT, it's not necessarily the best medium for every task either. Sitting on the couch with a nice cup of hazelnut coffee and this book for half an hour each morning -- that's actually going to do something for many readers (in terms of their engagement with the Word and their deepening acquisition of the language) that won't happen as well in some other way.

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Product details

Series: Lippincott Williams & Wilkins Handbook Series

Paperback: 848 pages

Publisher: LWW; Seventh edition (September 25, 2006)

Language: English

ISBN-10: 0781781833

ISBN-13: 978-0781781831

Product Dimensions:

4.2 x 0.8 x 8 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

25 customer reviews

Amazon Best Sellers Rank:

#643,163 in Books (See Top 100 in Books)

Please don't buy this book based on the reviews for the previous edition.While the contents are still good (and not much changed), the format of the new edition is downright stupid. They increased the size of the white margins and the thickness of the paper (to decrease manufacturing costs?), resulting in a probably 50% increase in weight and cross-sectional area. Definitely not a portable/pocket book anymore.Do yourself a favor and buy a cheap used version of the previous edition. You'll thank me later.

It is what it is. Precise information, quickly, easily, and to the point.

Read this book from cover to cover over winter break before the start of clinicals. (DNP, CRNA program). Was a very good review with excellent key points. Well written and compact. I plan on using this as my only reference to bring to clinical sites with me.

I like the fact that as one of founding editors (1st edition), Dr. Levin acknowledged previous contributors, like me. Also, the book only keeps getting better. The latest edition leaves this out, making the entire series the brainchild of Dr Richard Kitz, our chief. We were strongly supported by Dr. Kitz, but it was our idea.

Anyone involved in anesthesia generally recognizes the Mass Gen. as the best pocket reference out there. This new edition is no different. When you need something fast b/c it has slipped your mind, this is the 'goto' book.I highly recommend it to all MD/DOs, CRNAs & SRNAs.

Decent information, but it fell apart the first day I opened it. They also sent me a south east Asia edition... I'm hoping it's the same information.

5 stars! It's awesome! Got the book immediately. It is a wonderful resource. The book was in perfect condition. I highly recommend it.

Large amount of information contained in one reference book. Great to have a book in a small size to have as a reference in the OR with you.

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Clinical Anesthesia Procedures of the Massachusetts General Hospital: Department of Anesthesia and Critical Care, Massachusetts General Hospital, ... Williams & Wilkins Handbook Series) PDF

Clinical Anesthesia Procedures of the Massachusetts General Hospital: Department of Anesthesia and Critical Care, Massachusetts General Hospital, ... Williams & Wilkins Handbook Series) PDF